Headshots, Pets and Portraits
Your pets are the cutest, and of course you want photos of them to post online or just have around the house! However, whether they stay still or bounce around, pets are a tricky subject for photography. We have to work with the pet to get them to look at the camera, and we have to be quick when taking photographs.
PEOPLE and PORTRAITS:
In full body portraits positioning of the hands become important.
Most people don’t have modeling experience (and that’s 90% of the people you will ever photograph), and they feel awkward with their hands. They don’t know what to do with them. Most leave them dangling on the sides.
Posture becomes important too. If someone slouches or positions the head in a certain way that can produce a stiff posture and a bad image. You don’t want that.
The position of the feet and the legs are also important. I have previously discussed at length about how to pose a bride and a groom. All of those posing techniques are applicable here.
The legs shouldn’t be together. They should be positioned in a way so that the weight is on the back leg. That frees up the other leg to be positioned as one chooses. For example, a slightly bent leg or one that
For example, a slightly bent leg looks far better than the ‘attention’ posture.
It has been written about how to create the letter ‘S’ with a female model’s body. That posture requires the transfer of weight from the front to the back leg. It brings out the feminine form and creates a much better pose.
For a male model, leaning against a wall, with one foot resting against it and the other foot on the road/floor, body turned slightly away from the camera and the head turned towards it is a nice pose to start off.
Best Lenses for Full Body Portraits:
For full body portraits, the best option is not to shoot with too wide a lens. Wide angle lenses are affected by distortions, especially at the corners and edges.
Wide angle lenses will make your model look weird. With a wide angle lens, you cover a lot of the scene. As a result, you have to move in close in order to get a tight shot. That is what creates distortions.
Another reason to avoid a wide zoom lens is they are difficult to work with in small studios.
The best choice is something like a 50-70mm. On the other hand, with telelenses, you have to stand too far away in order to crop out negative space. That means your subject will be compressed against a background.
Between a wide-angle zoom and a telephoto, however, choose the latter. The look is a lot more natural with a telephoto. And always shoot from a distance and zoom in rather than use the widest focal length and shoot from a close distance.